Understood. 2025. Oil on canvas. 16 x 20 in. Below light chartreuse, three mostly red figures, the right an inverted triangle, position over a body of cool colored shapes, some jagged.
Passing Through You. 2025. Oil on canvas. 20 x 16 in. A dark blue shape above and two lower yellow shapes traced by dark blue tug the orange and white diagonally crossed shape from leftward departure.
Quite the Moment. 2025. Oil on paper. 11 x 15 in. Phthalo and ultramarine blue figures dance to a combination of red, yellow, light blue, green, and tan shapes.
Functional Joy. 2025. Oil on canvas. 20 x 16 in. The interplay of detached and loosely connected elements forms a symbol.
Regardless. 2025. Oil on canvas. 16 x 20 in. A cadmium and naphthol red rectangle, gray framed, contains vertical Naples yellow strokes near sap green and black, the right black rhythmically tripled, all over a black horizontal curve touching a tan base.
Transport Setting Sail. 2025. Oil on canvas. 16 x 20 in. The imaginary, mainly yellow figure models potential or current locomotion in viridian green space.
Hope Maketh Not Ashamed. 2019. Oil on canvas. 52 x 86 in. Romans 5. A therapeutic community business in the S.S. Pierce Building, a historic Brookline, MA, landmark, acquired a print (31 x 49.4 in.) in 2024.
Comfortable Discussion. 2017. Oil on canvas. 48 x 60 in. Mass General Brigham bought a print in 2024.
And There Was War In Heaven. 2017. Oil on canvas. 36 x 48 in.
I find that visuals around Coolidge Corner, Brookline, MA, evoke the Book of Revelation. The descriptions explain the perceived connections. Harvard Extension School.
Giraffe Props. 2025. Ink on paper. 24 x 18 in. The execution of one of fourteen created composition options. Massachusetts College of Art and Design.
Curious Onion with Liberal Shadow. 2025. Ink on paper. 15 x 15 in. Mark-making emphasis. Massachusetts College of Art and Design.
Proactive Mindset. 2025. Ink on paper. 12.75 x 17 in. String, more often sponged than taut, applied the quick rhythmic strokes of ink to reveal an energized inner state as expressed abstraction. Massachusetts College of Art and Design.
Testimonial. pp. 1 of 2
Testimonial. pp. 2 of 2. Blessed to Breathe Moderate Breeze. Photograph, 2016. 31 x 41.4 in. Direct print on aluminum dibond. Print sold in 2024.
In my art I like to express mental and spiritual states. Thoughts, feelings, and Judeo-Christian values inspire me. While the work has meaning to me, which I suggest at times with titles based on experience, mindfulness, and imagination, the meaning is open to interpretation.
When painting, I use elements of abstract art to create the work. I used to rarely use shapes. With my photography, often I rely on recognizable objects to represent the abstract. I use them as symbols. With words about the work, I share my intended interpretation. My drawing, including representational, initiates some abstract work.
I feel that expressing is therapeutic to me and perhaps the viewer, whether the work is light or dark, calm or dynamic, or both. Some work brings peace of mind; some underscores mystery or heightens curiosity, raising more questions than answers.
To see recent work: www.InventingVision.com
© 2025 Robert T. Rogers - All Rights Reserved.